This collection is comprised of sheet music from the mid to late 19th century, as well as music about the American Civil War from the first half of the twentieth century.
For some of the sheet music the publishing date is unknown. The year the submission is under might be an estimate of when it was released. It is specified in the abstract the known publishing date.
Some material in the Abraham Lincoln Library and Museum's (ALLM) collections may contain text or imagery that users find outdated, harmful, or offensive. While this content does not reflect the beliefs and values of the ALLM or Lincoln Memorial University, we recognize that it is important to make these historical materials accessible in their original, unaltered form. Online access is meant for research and educational purposes. In addition, while the ALLM strives to describe the materials in its collection using sensitivity, past catalog records, finding aids and other access tools may include terms that no longer meet current professional standards and have not yet been updated. If you have questions or concerns, please contact the ALLM archivist.
Submissions from 1843
[The] Grave of Bonaparte, L. Heath and Oliver Ditson
Columbia – The Land of the Brave or Columbia - The Gem of the Ocean, David T. Shaw, T. A. Becket, and Lee & Walker
Submissions from 1842
[The] Blind Boy, William R. Dempster, Hannah F. Gould, and Oliver Ditson
Come Back Soon, M. S. Reeves and George Willig
National Blues Quick Step, B. Reiss and G. Willig Jr
Johnny Sands, John Sinclair and Oliver Ditson
Submissions from 1840
Isabel, Henry R. Bishop, Thomas Bayly, and G. Willig
Celebrated Dance/ College Hornpipe, Firth & Hall
Queen Mary’s Escape, George Willig
Oh! Think of the Days That are Passed, Stephen Glover and Hewitt & Jaques
[The] National Whig Song, William Hayden and Parker & Ditson
[The] New York Serenading Waltz, John Cole
Hark! Hark! Through the Wild Woods, Alexander Lee and Bourne
Loves Young Dream, Thomas Moore and C. Bradlee
My Bark is Out Upon the Sea, George P. Morris, Charles E. Horn, and Wm. H. Oakes
Hewitt’s Quickstep, T. Rebhun and Firth & Hall
O Would I Were Boy Again, F. Romer and Firth, Pond & Co.
Di Tanti Palpiti, Rosfini, J. C. Nightingale, and John Cole
Cinderella Waltz, Rossini and R. S. Meacham
I’m Afloat, I’m Afloat, Henry Russell and Eliza Cook
I Love, I Love the Free, Henry Russell, Eliza Cook, and Wm. H. Oakes
Quick Step, A. Schlossbauer
Vienna Waltz, I. Strauss and E. Gillingham
[The] Cradle Song, C. M. Von Weber and Fiot, Meisner & Co
Submissions from 1839
By-Gone Hours, Mrs. Price Blackwood and Parker & Ditson
Can I Forget to Love Thee, William R. Dempster and W. C. Peters
Let Us Go Sleighing, Peter A. Smith and E. Riley & Co.
Submissions from 1838
[The] Bonny Brunette, A. P. Heinrich, J. M. Moore, and James L. Hewitt
[Il] Silfo, Madame Caradori Allan and E. Gillingham
[The] Pirate’s Serenade, J. Thompson and Prentiss & Clark
Submissions from 1837
[The] Charming Woman, F. Unger and Atwill
Submissions from 1836
Pulaski Quick Step, James Hooton and Oliver Ditson
Count Not the Hours, R. B. Taylor and Atwill's Music Saloon
Submissions from 1835
He Was Such a Nice Young Man, M. T. A'Beckett, R. W. Alldridge, and Atwills Music Saloon
Home Sweet Home, Henry R. Bishop and G. Willig
Pensezamoi, Drake and Firth & Hall
Pleasures of Home, George Dutton, George Dutton Jr., and G. Dutton
Grand Russian March, C. P. Francis and George Willig
Oh! Give Me But My Arab Steed, G. A. Hodson and Bourne
I Dance, I Sing, I Play, Wilhelm Iucho and Hewitt
[The] Hebrew Mourner, P. K. Moran, J. W. Eastburn, and Firth & Hall
[The] Carrier Pigeon, P. K. Moran, Percival, and W. C. Peters
[The] Last Wish, Mrs. Hemans, Harriet Browne Owen, and J. L. Hewitt
Happy Land, E. F. Rimbault and Firth & Hall
Flow on Thou Shining River, John Stevenson and G. Willig
In Happy Moments, W. V. Wallace and A. Fiot
[The] Light House, J. Wilson, Thomas Moore, and Firth. Hall & Pond
Submissions from 1834
Life is at the Best but Dancing, James G. Maeder and Kretschmar & Nunns
[The] Clarion Now Sounds to the Field, James G. Maeder, Thomas Walton, and Kretschmar & Nunns
[The] Bloom is on the Rye, James G. Maeder and W. C. Peters
Submissions from 1833
O’er the Far Blue Mountain, G. F. Cole, Mrs. Hemans, and G. Willig Jr
Submissions from 1830
Low Wav’d the Summer Woods, Robert Bennett and Bourne
Oh! No I’ll Never Mention Him, Henry R. Bishop and Geo. Willig Jr
Love Not, Blockley, Mrs. Norton, and Atwill
[The] Minstrel Returned From the War, Bourne
Jerusalem My Happy Home, William Clifton and Bourne
[The] Circassian Waltz, John Cole
[The] Light Bark, J. T. Craven, Miss A. Mahony, and Bourne
Lord MacDonald’s Reel, Firth & Hall
Marseilles Hymn, George Geib and Bourne
New Orleans Waltz, Geo. Willig Jr.
O Prescador Dell’onda, G. Willig
O Steal Not the Ray, W. H. Hamilton, A. Clifton, and Geo. Willig
[The] Captive Knight, Hemans and G. E. Blake
“[The] Queen of Prussia’s Favorite Waltz” and “[A] Favorite Waltz”, Himmel and John Cole
March & Rondo; March in Der Freyshutz, M. Holst and John Cole
Farewell to my Harp, C. E. Horn and Bourne
I Know a Bank Whereon the Wild Thyme Blows, Charles E. Horn and Geo. Willig Jun.
Molly Bawn, Samuel Lover and Wm. Dubois
[La] Jeunesse, Julius Metz and J. L. Hewitt
Marseilles Hymn, P. K. Moran and Bourne
[The] Recall, Mrs. Hemans, Harriet Browne Owen, and J. L. Hewitt
[The] Fairy Bells, Mrs. Norton
Mary Morison, Sign. Nicholeo, Robert Burns, and G. Willig
O! Merry Row the Bonnie Bark, John Parry and Geo. Willig Jr
Here We Meet to Soon to Part, Rossini, T. B. Phipps, and G. Willig
Hours There Were, Joseph Wade and G. Willig
[The] Light House, J. Wilson, Thomas Moore, and G. Willig
Submissions from 1828
Evening Song of the Tyrolese Peasants, Mrs. Hemans, I. T. Norton, and Geo. Willig
Submissions from 1827
Hurrah for the Bonnets of Blue, Alexander Lee and Geo. Willig Jr
Alice Gray, P. Millard and C. Brandell
Submissions from 1826
Follow, Follow Me, G. Willig
Submissions from 1825
[The] Plough Boy, J. L. Dussek and W. Dubois
[La] Pipe Tobac, Haigh and G. E. Blake
Araby’s Daughter, G. Kiallmark, Thomas Moore, and G. Willig
Submissions from 1820
Overture, Mozart and G. Willig
Submissions from 1815
[The] Harp that Once Thro’ Tara’s Halls, J. Stevenson, T. Moore, and G. Willig
Submissions from 1814
Beauteous Semblance, My Fond Emotion, Donizetti and A. Fiot
