This collection is comprised of sheet music from the mid to late 19th century, as well as music about the American Civil War from the first half of the twentieth century.

For some of the sheet music the publishing date is unknown. The year the submission is under might be an estimate of when it was released. It is specified in the abstract the known publishing date.

Some material in the Abraham Lincoln Library and Museum's (ALLM) collections may contain text or imagery that users find outdated, harmful, or offensive. While this content does not reflect the beliefs and values of the ALLM or Lincoln Memorial University, we recognize that it is important to make these historical materials accessible in their original, unaltered form. Online access is meant for research and educational purposes.  In addition, while the ALLM strives to describe the materials in its collection using sensitivity, past catalog records, finding aids and other access tools may include terms that no longer meet current professional standards and have not yet been updated.  If you have questions or concerns, please contact the ALLM archivist.  

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Submissions from 1840

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Quick Step, A. Schlossbauer

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[The] Swiss Boy, R. Schroeder and F. D. Benteen

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Vienna Waltz, I. Strauss and E. Gillingham

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[The] Cradle Song, C. M. Von Weber and Fiot, Meisner & Co

Submissions from 1839

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Sweet Memories of Thee, Amelia, W. C. Peters, and Wm. Hall & Son

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By-Gone Hours, Mrs. Price Blackwood and Parker & Ditson

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Can I Forget to Love Thee, William R. Dempster and W. C. Peters

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St. Louis Grand March, G. H. Draper and N. Phillips

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Let Us Go Sleighing, Peter A. Smith and E. Riley & Co.

Submissions from 1838

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[The] Bonny Brunette, A. P. Heinrich, J. M. Moore, and James L. Hewitt

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[Il] Silfo, Madame Caradori Allan and E. Gillingham

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River Waltz, M. Pratt; W. C. Peters; and Firth, Hall & Pond

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[The] Pirate’s Serenade, J. Thompson and Prentiss & Clark

Submissions from 1837

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[The] Charming Woman, F. Unger and Atwill

Submissions from 1836

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Pulaski Quick Step, James Hooton and Oliver Ditson

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Count Not the Hours, R. B. Taylor and Atwill's Music Saloon

Submissions from 1835

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He Was Such a Nice Young Man, M. T. A'Beckett, R. W. Alldridge, and Atwills Music Saloon

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To Greece We Give Our Shining Blades, Henry R. Bishop and C. Bradlee

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Home Sweet Home, Henry R. Bishop and G. Willig

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They Have Given Thee To Another, H. R. Bishop, R. G. Paige, and Dubois & Bacon

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[The] Sultans Band March, Donizetti, J. F. Petri, and A. Fiot

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Pensezamoi, Drake and Firth & Hall

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Pleasures of Home, George Dutton, George Dutton Jr., and G. Dutton

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Grand Russian March, C. P. Francis and George Willig

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Rory O’Moore Quickstep, G. W. Hewitt and A. Fiot

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Oh! Give Me But My Arab Steed, G. A. Hodson and Bourne

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I Dance, I Sing, I Play, Wilhelm Iucho and Hewitt

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[The] Hebrew Mourner, P. K. Moran, J. W. Eastburn, and Firth & Hall

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[The] Carrier Pigeon, P. K. Moran, Percival, and W. C. Peters

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[The] Last Wish, Mrs. Hemans, Harriet Browne Owen, and J. L. Hewitt

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Rome! Rome!, Mrs. Hemans and F. D. Benteen

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Servant of God, Well Done, Louis Rees and J. Alfred Novello

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Happy Land, E. F. Rimbault and Firth & Hall

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Flow on Thou Shining River, John Stevenson and G. Willig

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In Happy Moments, W. V. Wallace and A. Fiot

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[The] Light House, J. Wilson, Thomas Moore, and Firth. Hall & Pond

Submissions from 1834

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Life is at the Best but Dancing, James G. Maeder and Kretschmar & Nunns

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[The] Clarion Now Sounds to the Field, James G. Maeder, Thomas Walton, and Kretschmar & Nunns

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[The] Bloom is on the Rye, James G. Maeder and W. C. Peters

Submissions from 1833

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O’er the Far Blue Mountain, G. F. Cole, Mrs. Hemans, and G. Willig Jr

Submissions from 1830

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She Never Blamed Him, Never!, Thomas H. Bayley, Boyle, and Bourne

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Low Wav’d the Summer Woods, Robert Bennett and Bourne

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Oh! No I’ll Never Mention Him, Henry R. Bishop and Geo. Willig Jr

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Love Not, Blockley, Mrs. Norton, and Atwill

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[The] Minstrel Returned From the War, Bourne

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Jerusalem My Happy Home, William Clifton and Bourne

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[The] Circassian Waltz, John Cole

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[The] Light Bark, J. T. Craven, Miss A. Mahony, and Bourne

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Lord MacDonald’s Reel, Firth & Hall

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Marseilles Hymn, George Geib and Bourne

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New Orleans Waltz, Geo. Willig Jr.

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O Prescador Dell’onda, G. Willig

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O Steal Not the Ray, W. H. Hamilton, A. Clifton, and Geo. Willig

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[The] Captive Knight, Hemans and G. E. Blake

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“[The] Queen of Prussia’s Favorite Waltz” and “[A] Favorite Waltz”, Himmel and John Cole

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March & Rondo; March in Der Freyshutz, M. Holst and John Cole

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Farewell to my Harp, C. E. Horn and Bourne

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I Know a Bank Whereon the Wild Thyme Blows, Charles E. Horn and Geo. Willig Jun.

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Molly Bawn, Samuel Lover and Wm. Dubois

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[La] Jeunesse, Julius Metz and J. L. Hewitt

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Marseilles Hymn, P. K. Moran and Bourne

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[The] Recall, Mrs. Hemans, Harriet Browne Owen, and J. L. Hewitt

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[The] Fairy Bells, Mrs. Norton

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Mary Morison, Sign. Nicholeo, Robert Burns, and G. Willig

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O! Merry Row the Bonnie Bark, John Parry and Geo. Willig Jr

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Here We Meet to Soon to Part, Rossini, T. B. Phipps, and G. Willig

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[Les] Roses, Johann Strauss and James L. Hewitt

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Hours There Were, Joseph Wade and G. Willig

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[The] Light House, J. Wilson, Thomas Moore, and G. Willig

Submissions from 1829

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There’s Nought on Earth So Fair as You, George Geib and Bourne

Submissions from 1828

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Evening Song of the Tyrolese Peasants, Mrs. Hemans, I. T. Norton, and Geo. Willig

Submissions from 1827

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Hurrah for the Bonnets of Blue, Alexander Lee and Geo. Willig Jr

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Alice Gray, P. Millard and C. Brandell

Submissions from 1826

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Follow, Follow Me, G. Willig

Submissions from 1825

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Tis All But a Dream, Henry R. Bishop and John Cole

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[The] Plough Boy, J. L. Dussek and W. Dubois

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Rural Felicity, G. E. Blake

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[The] Stop Waltz, G. Willig

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[La] Pipe Tobac, Haigh and G. E. Blake

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Araby’s Daughter, G. Kiallmark, Thomas Moore, and G. Willig

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Those Evening Bells, Thomas Moore and John Andrew Stevenson

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[The] Sailor’s Tear, Sidney Waller, L. M. N. Bayley, and J. Edgar

Submissions from 1820

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Tis the Last Rose of Summer, Thomas Moore, I. A. Stevenson, and Wm. Dubois

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Overture, Mozart and G. Willig

Submissions from 1815

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[The] Harp that Once Thro’ Tara’s Halls, J. Stevenson, T. Moore, and G. Willig

Submissions from 1814

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Beauteous Semblance, My Fond Emotion, Donizetti and A. Fiot